This is an often-repeated piece of advice for numerous people that sharing custody a dog following a split is ill-advised. The consensus suggests such arrangements hinder ex-partners from healing, create logistical nightmares, fuel disputes, and become annoying for all parties. Apparently, in a revelation worthy of a streaming movie, it can even cause the dogs themselves to experience sadness.
Without minimizing the mental health of dogs – many owners attest to their profound sensitivity. To witness a masterclass in dog sorrow, simply recall another performance. It seems certain that a dog such as Merv, a scruffy terrier type played by Gus the Dog, would have a hard time coping with split households. If this concept a feature-length romcom around this situation works effectively seems debatable at best.Predictable Foundations
To its credit, Merv, the work of the writing duo and helmed by Jessica Swale, doesn't pretend to be more profound than a light film. We have here a holiday release from a streaming platform giant – the ambitions are modest. Its storyline unfolds as simple and direct: exes Russ, played by Charlie Cox and Anna (Zooey Deschanel), realizing that their own sadness is surpassed by their dog's, decide on a therapeutic trip to a dog-friendly resort. At this location, predictably, they will presumably realize the idea that they are better together. Side characters – featuring a group of comedic actors – are crafted as the usual assortment of types. The film's look is reminiscent of a branded content, with a wintry atmosphere that is visibly contrived – exemplified by obvious snow effects clinging to verdant foliage as North Carolina stands in for the Northeast.
The Canine Charisma
If these predictable parts come together into an entertaining watch depends on the actors' work and an acceptance of easy entertainment. For the comfort factor, Merv targets a specific viewer – the kind who browse regularly for dog videos. Audiences receive a wealth of canine-centric sequences. The primary selling point is the dog, and while this leads to some awkward editing between what the dog does and people's faces, the movie delivers on walking sequences, canine sorrow, and, ultimately, pure puppy happiness.
The Human Element
This level of success is not earned for the romantic plot. The tone shifts uneasily between relationship drama, zany antics, predictable love story, and outright slapstick, never fully committing to a single genre. No blame falls on Charlie Cox, who is admirably committed the absurd and awkward demanded of the bizarre setting. Cox exhibits a likable self-deprecation that provides the bulk of the chemistry for this on-the-rocks couple. Anna's portrayer, as is her trademark, brings a distinctive offbeat energy that will either resonate with viewers. Her portrayal can feel a little too aloof, notably when paired with Cox's genuine sadness. (It should be noted, the canine performer manages looking despondent – not quite Messi from that acclaimed drama, he remains a scene-stealer.)
Merv tries to add substance to the central romance for moments when the dog is absent – a regrettable choice, given that the title character is easily the best part of this film designed for charm. As one might predict, it achieves only baseline competence. The cause for their separation would feel more grounded and mature with greater exploration and more subtle storytelling. In the end, Merv is light and sugary, meeting precisely what you anticipate. Making a film on this shared-custody premise isn't a bad idea – even if it's not exactly a brilliant concept.
- Merv streams on Prime Video on December 10th.
